While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. "What in the world is it?" he asked. His nose was large but also fine and angular, tapering to a point at the end like a nobleman’s. "Unless you have eaten a Syrian orange," he was always saying, "you have only a rudimentary idea of what an orange is.
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