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‘I’ll get the key,’ said Roding, turning abruptly. “This wonderful affection of yours for my sister, does it date from your first meeting with her in Paris?” He hesitated. There were the burnt papers still in the grate. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance.
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