The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Ruth, without suspecting it, had fallen upon a fundamental truth: that each and every book fitted into the scheme of human moods and intelligence. He does not look the criminal.
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