” She shifted again. “Certainly her voice is far more musical. Very quietly, he added, “Oh Lucia, I’m sorry. ” Anna lifted her hand and pushed open the trap door. He made a quick movement towards her, but she did not flinch. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. They were in many respects so right; she clung to that, and shirked more and more the paradoxical conviction that they were also somehow, and even in direct relation to that rightness, absurd. She must learn wisdom—as God pleases. This is where my character, Lucia, is coming from.
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