But, as soon as he perceived who it was, he roused himself, and glared fiercely at the intruder from under his bent brows. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. She was inclined to think that perhaps for a girl the converse of his method was the case; an older man, a man beyond the range of anything “nonsensical,” was, perhaps, the most interesting sort of friend one could meet. ~THE END~ [Illustration: Distinctive Pictures Photoplay The Ragged Edge MIMI PALMERI AS RUTH ENSCHEDE ALFRED LUNT AS HOWARD SPURLOCK] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] End of the Project Gutenberg EBook of The Ragged Edge, by Harold MacGrath *** END OF THIS PROJECT GUTENBERG EBOOK THE RAGGED EDGE *** ***** This file should be named 15614-8. . Only a few, but enough for me to understand that some act had driven you to this part of the world, where the hunted hide.
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