‘I can’t do that. Everything goes—the copra for oil, the fibre of the husk for rope, and the shell for carbon. They give themselves airs, but so it is. That world of fine printed cambrics and escorted maidens, of delicate secondary meanings and refined allusiveness, presented itself to her imagination with the brightness of a lost paradise, as indeed for many women it is a lost paradise. but then I made the mistake of testing it indoors.
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