The unexpected twist—his disclosure to McClintock—had given Spurlock but temporary relief. “Certainly her voice is far more musical. Remember, in your story—look at it, scattered everywhere!—that line? We arrive at true happiness only through labyrinths of misery. ’ Ignoring this, the major slipped his hands about her waist and lifted her to her feet. Yet her aunt, with a ringed hand flitting to her lips and a puzzled, worried look in her eyes, deaf to all this riot of warmth and flitting desire, was playing Patience—playing Patience, as if Dionysius and her curate had died together.
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